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Civic Precinct – Te Ngākau
Civic Precinct – Civic Square

pakiTara-toi art on the walls of the Civic Precinct – Te Ngākau Civic Square.

And only sea

Mata Aho Collective and Andre Te Hira
Library hoarding, Victoria Street

And only sea is the title of a new artwork on the hoarding surrounding Wellington Central Library, designed by Mata Aho Collective in collaboration with Andre Te Hira.  The artwork celebrates the civic and literary life of J.C. Sturm, also known as Jacquie Baxter. Sturm worked as a librarian at the Central Library for over twenty years. She was one of the first Māori women to complete an undergraduate degree, the first Māori woman to attain an MA in Philosophy, and also one of the first Māori women to appear in print.

The artists chose to render one of Sturm’s poems On the building site for a new library (published 1996), as the work references the construction of the Central Library and also Wellington city’s land reclamation where Civic Square was once underwater. The artwork acknowledges the civic location and literary connection, tells a story about the history of the land and people – connects to the area’s Māori heritage and geography, and celebrates the importance of libraries to our cities as places of learning, refuge and relaxation.

The new artwork provides vibrancy to the area as the long term future of the building and Te Ngākau — Civic Precinct is worked through.

See photos and a video about And only sea:

Weaving Hope – a community led mural

A new public artwork has been installed in the heart of the city, Te Ngākau Civic Square, on hoarding surrounding the Town Hall.

Weaving Hope acknowledges collective grief over the tragedy that occurred in Christchurch on 15 March 2019. The aims of the project for Aotearoa to be more unified and accepting of diversity are woven through the design.

This artwork was facilitated by the Vodafone Foundation and designed by local artist, Ruth Robertson Taylor, in partnership with Wellington’s Muslim Community. Robertson-Taylor was the lead artist, but the threads, the vision and key elements came from the Muslim community.

See photos of Weaving Hope: